I was called “ye of little faith” for initially refusing to see Blondie in concert on Feb 22nd. From my perspective, Blondie’d had their heyday almost 30 years ago (I mean, this show was officially part of the “Parallel Lines 30th Anniversary Tour”) and even though something inside of me said “c’mon, they’re a living legend” I didn’t want to wreck the pristine-yet-dirty image I had in my mind. You know, of bleached hair and black eyeliner, spiky mullets and acid-washed stretch pants, sloppily laced tennis shoes and “I don’t give a shit what you think about me” glances. Blondie was my picture of cool 80’s style, with good music and a talented siren of a front woman to boot.
You’re probably saying “So what? It’s just a concert. Go for the spectacle and the ability to say ‘Yeah, I saw Blondie in concert’” and I hear you. You must know, though, that I’ve done it before and was sorely disappointed.
In 2001 Pat Benatar played the House of Blues in Myrtle Beach. I jumped. Pat was my IDOL. She was all I listened to. All I sang along to. Even though I was a naturally low alto I strained and trained myself to match her almost impossible register. So as I stood in the HoB, waiting almost an hour between the opening band’s end and the start of Pat’s set, the anticipation grew. They were making us wait so long in the impossible heat because they were going to knock our socks off. I just knew it! …Then she appeared. Almost every song she performed in a gravelly, strained mezzo alto–at times two octaves lower than the original recording. Halfway through the set Pat took a break and let her daughter’s “girl group” entertain the crowd for 15 minutes. The kicker was her performance of my favorite song of all time: “We Live For Love” She turned what used to be a showcase of her agile, piercing voice into an excuse to let her husband rock out on his guitar, and her background singers sang the high notes while she caught her breath. I. Was. Devastated. Even though I was too proud to admit it, Pat changed for me.
And people, Debbie Harry is 64 years old now. YES. Pat Benatar was only 48 when I saw her eight years ago. As women age, their singing voices wear out. They get saggy and baggy. Edges get smoothed out and fires smolder. There’s nothing wrong with that, unless you’re trying to behave like you’re still in your 20’s. It takes a pretty talented actress to recapture and project the energy and intensity she had so many years ago. I had doubts. I’d already lost Pat and I wasn’t interested in letting my second-most admired 80’s rock icon fall off her pedestal.
Then the ever-attentive Jed presented me with Blondie tickets as a V-Day gift. He knew I secretly wanted to go but was unable to bring myself to make the purchase on my own. Okay. Deep breath. I was going to the Blondie show. But this time I wouldn’t make the mistake of winding myself up so tightly over it. No expectations. None.
I avoided the temptation to wear my Halloween costume to the show. Instead, Jed and I had a leisurely dinner and hopped in line at the Roseland Theater about 45 minutes before Dahlia was scheduled to open the evening. We took our place in the crowd, center stage with only two bodies between me and the monitors. And those bodies belonged to some interesting characters. One of them was a tall skinny boy who gave me a fist pound after negotiating a “you’re going to bump into me and I’m going to bump into you and we’re both cool with it” agreement. We’ll call him Skinny. Another was a spitting image of Larry the Cable Guy, attire and all, with black shades and hairy arms. We’ll call him Larry. Both men were there with other men, and Larry’s partner was easily seven feet tall. Remember that, as it will be important later on.
So Dahlia took the stage at 8 o’clock sharp and got us all warmed up. Unfortunately Dahlia is defunct and only reunited for this one occasion, or else I’d recommend checking them out if you feel like a good, sweaty, dance-fest. Two DJs provided the electronica while the singer, a petite Bjork look-alike, writhed and wailed from one end of the stage to the other. She was overly theatrical and hypersexual at times, but otherwise a great entertainer. Honestly, I was just happy that Blondie enlisted local talent to open their show. As 8:30 tolled the end of Dahlia’s set, I was thusfar pleased.
Over the next half of an hour the room became noticeably more packed. The balcony filled up, and the temperature rose rapidly. People started chanting “Blondie! Blondie! Blondie!” as the roadies egged the crowd on. Skinny started jumping up and down. Larry, who had been cool as a cucumber up to this point, began wiping his brow with his wrist guards and roaring with excitement in all directions. Then at exactly 9pm the lights dimmed and out walked the band, with Debbie Harry last to take the stage.
Flash point.
Larry Lost. His. Mind.
Meanwhile, I was caught up in a moment of Whoa. Debbie Harry, old enough to be my grandmother, was beautiful. She still had that same cool, dismissive look on her face and that petite silhouette. Her skin was alabaster without so much as a freckle. I had no illusions, as Madame Harry has been very open about having plastic surgery, but science can only do so much…

I didn’t let myself think about it for too long, as I had to be proactive about not falling victim to Larry’s flailing. Remember what I said about that huge partner of his? It all made sense in that moment.
Song after song, the crowd sang along with hands waving in the air and feet leaving the floor in keeping with the beat. Skinny, Jed and I became part of a hot wet conglomerate of rockin’ and stompin’. The lights were scorching, and Debbie Harry did not disappoint with her performance. After so many years, she’s still got the notes, folks. The only time she opted for a lower octave was my personal RockBand favorite, “Call Me”. But she was just saving up for the finale, as soon thereafter she ripped into an extended version of “Rapture” that sounded just as haunting as it did back in the 80’s. And the rap was so well executed that the crowd almost turned themselves inside out with applause.
You get the point. Blondie was awesome. But why? When you take off the heart-shaped glasses and LOOK at them, they’re a buncha old people playing music that they wrote decades ago. Pat tried it on me and I was sorely disappointed. What’s Blondie got that Pat doesn’t have? Here’s the thing… After so many years, Blondie hasn’t taken their fans for granted. They feed us. They present exactly what we want to see. From the “Parallel Lines” stage decor to the cleavage and drum solos, Blondie identified what made them so successful and is now milking that cow for all it’s worth. Hell, at one point Debbie Harry jokingly dabbed her armpits with a towel and then threw it at Larry, and he was so elated that he again had to be wrestled into submission by his titanic handler. Blondie works because they’ve got a mix of history, good material, and attitude. Pat Benatar failed because she’d all but used up her voice, fell out of touch with her fanbase, and didn’t take good care of us when we came to see her in concert.
In short, Blondie found the magic formula for aging gracefully. And profitably, I’m sure.